One little program with so much impact: that's the Stephens Master of Fine Arts in TV and Screenwriting. Since its founding in 2016, the program has been proving its value to graduates, who have been earning prizes, joining writing and production staffs, and landing teaching jobs around the country.
Our students and graduates have already accomplished great things ... and we're just getting started.
Chelsea Andes ’17 is the associate producer for Foundry360, a video production advertising agency at Meredith in New York City. She has worked and volunteered at numerous film festivals, including the Tribeca Film Festival, The New York Film Festival and DocNYC. Her screenplay “Daughter of Mab” made it to the semifinals of The Athena List, an annual slate of three to five screenplays with female leaders or strong female protagonists that have yet to be made into films. “Daughter of Mab” also is a quarterfinalist in the Slamdance Screenplay Competition. With fellow MFA alumnae Betsy Leighton and Misty Brawner, Andes participated in a writers’ room to break an entire 12-episode web series as part of a partnership between Unreal Media and SeriesFest.
Amy Banks ’17 is an adjunct professor in the English department at Central Methodist University and at State Fair Community College. Banks also works as a creative consultant for Sesame Studios.
Julie Berkobien ’17 is research assistant to Cari Beauchamp and the Mary Pickford Foundation. Her pilot “Blythe Park” was a selected project at Stowe Story Lab 2018 and a quarterfinalist in the 2019 BlueCat Screenplay Competition.
Christine Clayburg (MFA candidate) won best screenplay in the military genre at the Las Vegas International Film and Screenwriting Competition, was named a semifinalist at the Women in Cinema International Screenwriting competition, quarterfinalist at Scriptapalooza, and received an honorable mention at Willifest.
Mikayla Daniels ’17 made it to the semifinals of The Athena List with her screenplay “Wingman Lost.” The list is an annual slate of three to five screenplays with female leaders or strong female protagonists that have yet to be made into films. Daniels has been a regular contributor to netflixlife.com, covering series and film reviews and entertainment news. She was a judge for the “Best Screenplay” category for Happenstance Horror Festival, is screening films for Destiny City Film Festival in Tacoma, and judging films for Watersprite International Student Film Festival and Northwest Horror Festival. She also is a post-production video editor for the NBC affiliate KHQ and a writer and on-camera host for KSPS Saturday Night Cinema.
Rashaan Dozier-Escalante '19 is on the writing staff of CBS drama "Seal Team" after having been selected for the CBS Writers Mentoring Program and the Producer Guild of America's Power of Diversity Master Workshop during her time in the Stephens MFA.
Elizabeth Dwyer ’17 was hired to write the pilot script for “Scarlett,” a new mob series, and was invited to attend the 2019 Stowe Story Lab and 2019 Sidewalk Narrative Lab. Her thesis project, the pilot script for “North Amerikay” has placed in the following contests: second rounder, Austin Film Festival, 2018; finalist, ISA Fast Track Fellowship, 2018; finalist, WeScreenplay Diverse Voices, 2018; semifinalist, Diverse Voices Fellowship to the Stow Story Lab, 2019.
Krista Dyson ’18 teaches digital media and TV production in the Palm Beach County School District and is co-producer of the independent documentary feature "When All That’s Left is Love." The film has been accepted to 20 film festivals so far and has won several awards on the festival circuit. Most notably, it was the opening night film at the inaugural Desertscape Film Festival, won Best Overall Feature at Longleaf Film Festival, and screened at the American Psychological Association Film Festival.
Horton Emory '19 has had their scripts place in a number of competitions. Their script "Thirst" made it into the Athena Film Festival TV Lab, was a finalist at the Twister Alley Film Festival, a semifinalist at the Screenplay Festival, and selection at the Action of Film Megafest. Their script "Hard Work" scored in the 99th percentile in WeScreenplay Full Coverage. Their spec "Timeless: Electra" was a finalist in the Las Vegas International Film and Screenwriting Festival. Their script "Hick, Darling" was a semifinalist at the Utah Film Festival and Awards. Their spec "Transparent: Who's Getting Ali?" was a selection at the Wildsound Feedback and Screenplay Festival. And their short "Grandma for Hire" was in the Top 100 at the Get It Made Short-Form Screenplay Competition.
Cara Epstein ’18 won an Athena Writers Lab Sloan Foundation Fellowship for her screenplay “Activated,” which also was a Sundance lab semifinalist. Epstein is a SeriesFest writers’ room writer for the web series “Dropshot Divas” and “Growing Up Old.” She recently was commissioned to write an original screenplay by a producer in L.A.
Alex Fernandez '19 is the Writer's PA on "Station 19." Her pilot "Happyland" won the DTLA Film Festival Screenwriting Competition and was a Quarterfinalist in both the BlueCat and Slamdance Screenplay Competitions.
Khanisha Foster ’17 signed with Brad Rosenfeld and Nicholas Bogner and has written for two major video games, one for the company Probably Monsters and the second in the game Episodes. She received the Fox Resident Actors Fellowship, and is the associate director of the MFA in TV and Screenwriting at Stephens College.
Kenneth Grimble ’18 co-directed and acted in "Desert Trilogy," a trilogy of short films by Pamela Winfrey and Terry Selucky, and is acting in John Lewis’s upcoming film. He also wrote, directed, and produced a short film.
Sydney Haven ’17 reached the second round of the Austin Film Festival Screenplay Competition with her comedy “Drawing Dead.”
Sahar Jahani ’18 worked as creative coordinator for YouTube Originals while a student in Stephens’ MFA program. After graduating, she served as writers’ assistant, script coordinator and writer for episode 105 of Hulu’s "Ramy," and staff writer for "Undressed" on MTV Mini Room. She currently is a staff writer for "13 Reasons Why" and a screenwriter for the book adaptation of "Ayesha At Last" with Columbia Pictures. Her original pilot, “Uncovered,” was named a Sundance Episodic Lab Finalist in 2018 and was the first MACRO Episodic Lab winner. The series is being developed with Eva Longoria’s company. In addition, Jahani was selected for the 2018 Warner Brothers TV Workshop.
Laura Kirk ’17 was promoted to assistant teaching professor at the University of Kansas, where she serves as faculty advisor for the KU screenwriting club. Her reviews have been published in the Journal of Screenwriting and she was awarded the Missouri Stories Fellowship for her screenplay "Seekers," written in the Stephens College M.F.A. program.
Betsy Leighton ’18 is board chair of SeriesFest and runs mini writers’ rooms through her production company, Unreal Media.
John Lewis ’18 shot the pilot episode of his web series Lost in Moldova after graduation. It was selected by three web fests, including the IndieFest Film Awards, Stareable Fest in New York and the Berlin Webfest.
W.A.W. Parker '19 had his debut novel, "The Divine Proportions of Luca Pacioli," published in October 2019. His screenplay "Leo" was a Nicholl and Final Draft Quarterfinalist, and his screenplay "The Baby" was a semifinalist at the Austin Film Festival. He wrote the "Bringing Baby Dragon" episode of the animated series "Clash-A-Rama" and was the writer's assistant on the show. Currently, he's been hired to write a novel based on "The Wasteland," a musical about T.S. Eliot.
Jackie Perez ’17 is a semifinalist in the 2019 ScreenCraft Public Domain screenplay contest for “Amazing Grace,” a STEM-centric screenplay based on the life of Grace Hopper. She works remotely as a part-time grant writer for Stowe Story Labs.
Amelia Phillips ’17 wrote a screenplay for an independent producer about the true story of an Armenian Genocide survivor who risks his life to hide Jews while Nazis live on his land. “The Seventh Brother” was named a quarterfinalist for the 2019 Nicholl Fellowship. Phillips also is working freelance on a murder mystery podcast. She attended the Athena lab was accepted into the Stowe lab with a scholarship. Phillips also wrote and directed her first short film.
Sarah Phillips ’17 wrote, directed and produced "Supplements," which was named a top 20 film for the Louisiana Film Prize. The film was created by Phileon Productions, a woman-led production company Phillips created in Los Angeles. Laetitia Alix Leon co-produced and starred in the film. Phillips also won the Nashville Screenplay Competition with her screenplay for the short film “Smile.”
Megan Poepsel ’18 is working on a web series through SeriesFest and Unreal Media.
Ilona Rossman Ho '19 made it to the second round at Austin Film Festival with her web series "Indivisible Mom," which also won laurels at the Big Apple Film Festival and Sherman Oaks Film Festival. Her review of "The Heroine's Journey: Women's Quest for Wholeness" by Maureen Murdock was published in the 2019 fall issue of the Journal of Screenwriting. Ilona also is a reader for the Austin Film Festival and participates in the MFA writers group.
Terry Selucky ’18 co-produced, wrote and directed a short film trilogy, "Desert Trilogy," with Pamela Winfrey, and currently is producing an independent pilot that is supported in part by Sundance Podcast writing and paid by Cutler Media, LLC. Selucky also is a reader for Austin Film Festival.
Yasser Shahin ’17 is an assistant professor at the College of Media and Mass Communication and quarterly faculty at Eastern Washington University. Shahin presented at Citizen Jane Film Festival 2018 and published a book review for Writing for Screen.
Lauren Smith ’17 is a development assistant at a TV and talent management company at the Pacific Design Center in West Hollywood. The company represents Ann Curry, who is the host of the medical mystery show "Chasing the Cure," and Daymond John, one of the sharks on "Shark Tank." Smith also has written articles for BlueCan Screenplay Competition. Her screen play “Sunny’s Funnys” made it to the Scriptapalooza quarterfinals.
Amanda Stockwell ’17 is adapting a television pilot into children’s book series.
Dan Sturman ’17 is teaching screenwriting at Colorado College and has been working on several documentary film projects since graduation.
Chase Thompson ’17 is an associate professor of digital filmmaking at Stephens College. He wrote and directed “Tampsen Air,” an episodic film project that was nominated for Best TV Pilot by the New York City Independent Film Festival. The pilot, which was produced with the help of undergraduate students in Stephens’ digital filmmaking program, also screened at Denver Pop Culture Con, Kansas City Film Festival International and Toronto Lift-Off. Among the cast are Khanisha Foster ’17, M.F.A, and Rob Doyen, professor of theatre at Stephens College.
Pamela Winfrey ’18 co-produced "Desert Trilogy" with Terry Selucky, and is producing a web series called Singularity in Love. Her screenplay “No Coffee?” was selected for the Portland Comedy Film Festival in spring 2019. Winfrey also was a runner-up in Roadmap’s Wise Words screenwriting contest for her pilot “It’s a Boy!” and a finalist for “Women Will Have Their Dogs.”
Sarah Whorton ’17 made it to the Scriptapalooza quarterfinals with her screenplay “Pomme De Tere.”
Kelley Zinge ’17 wrote 11 episodes of “Kids’ Planet,” an educational TV show by CIC Media, and had her children’s story “Lullaby for Ella Vi” produced and recorded as an audiobook with words and music in collaboration with UCLA Extension. It will be available to children in residence at Ronald McDonald Houses all over the country. Zinge is working with a New York literary agent on a few children’s books and putting the finishing touches on her musical “Carnival Noir.”