Starkle Dream Up. Stephens College

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Mar
27
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Stephens alumna Ami Beck finds success with line of luxury bags

Ami Beck ’13 wasted no time putting her degree in Apparel Studies from Stephens College to work.

Within two weeks of graduating in December 2013, Beck bought a $2,000 heavy-duty sewing machine, a supply of scrap leather and set up shop in her grandmother’s basement. A month later, she had created the original Dolyn Tote, the first in her luxury line of bags that continues to be a bestseller. 

Dolyn bagToday, Beck has a popular studio in the West Bottoms of Kansas City, Mo., where she is constantly expanding her line of handbags, duffels and clutches. She recently returned from MAGIC Las Vegas, where she launched her first men’s and travel collection. This week, her bags will be featured in the finale runway show of Kansas City Fashion Week (KCFW), which runs from March 26-April 1, 2017; Beck made her first big splash at a KCFW show in 2015. (Read her designer spotlight on the KCFW website.)

Beck said her experience at Stephens helped prepare her for the hard work and dedication needed to compete in the design industry.

“The biggest resources I gained from Stephens—other than a foundation in patterning—was learning how to manage my late nights and heavy workload in an effective manner,” she said. “As a small business owner, there never seems to be enough time. I am wearing all the hats and juggling many projects at once, and I think Stephens helped prepare me for that.”

Before enrolling at Stephens, Beck earned a degree in psychology from Northwest Missouri State University in Maryville, Mo., and worked several temporary jobs before landing a position as an administrative assistant in the legal department of a hospital in downtown Kansas City. 

By the time she came to Stephens, Beck had her sights set on starting her own company.

“I was very specific in my intentions to learn about handbag construction and leather and to acquire a basic foundation in patterning while at Stephens,” she said.

As for the name of her company, Beck simply abbreviated her favorite name, Gwendolyn and branded it. 

Beck’s advice for young designers who want to open a small business is to take business classes while in college. 

“The finance side of business is definitely where the knowledge gap was for me, so any head start a student can grasp on that in school would be of utmost importance and benefit,” she said. “I would also advise seeking internships that are as close to your ideal job position as possible. Internships are so eye-opening and beneficial, and should definitely be taken advantage of.”

When running a small business, Beck believes every new experience is an opportunity to learn and get better.

“Every single thing you do in business will be a stepping-stone and a lesson,” she said. “You learn pretty quickly what works and what doesn’t—most of the time you learn the hard way. So, dive in!” 

 

Beck’s bags are available on www.dolynbags.com, as well as at Webster House in Kansas City.

 
Mar
22
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Stephens College adds new degree in exercise science

Health and fitness is a booming industry. Stephens College is expanding its curriculum to provide students with a new opportunity to join the growing field.

Beginning in Fall 2017, the School of Health Sciences will offer a new Bachelor of Science degree in Exercise Science.

Dr. Susan Muller, dean of the School of Health Sciences, said the new four-year degree will prepare students for a variety of careers in the health and fitness industry, including personal training, strength and conditioning coaching and wellness coaching. She expects at least half of the students who graduate with the degree will go on to study in physical therapy, occupational therapy and physician assistant studies programs.

“Once students have the scientific foundation this degree provides, they can easily branch into other health fields,” Muller said.

The Exercise science core includes human anatomy and physiology, exercise physiology, exercise and special populations, stress testing and exercise prescription and human movement science. Students will also have the opportunity to strengthen their science backgrounds by taking electives from the biology offerings and to enhance their people skills by selecting some health science courses to complete their required 120 credit hours. 

Muller is looking forward to the inaugural class and expects enrollment to grow quickly.

“This is a very popular field of study,” she said.

 
Mar
21
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Stephens College hosts concert to benefit organ restoration

On March 8, 2017, members of the Stephens and local community gathered in the Firestone Baars Chapel for “Make A Joyful Noise,” a benefit concert to raise funds for the Stephens College Chapel organ. The occasion marked the official launch of an appeal to restore the 60-year-old Aeolian-Skinner 1186 to its original splendor. 

“This was a magical evening, enjoyed by all, including sections of the local community and alumnae who have not returned to campus for many years,” said Meichele Foster, vice president for institutional advancement and initiatives. “We have rediscovered a space and an instrument made for each other and in which we can look forward to providing more recitals and events.”

The evening’s event raised $20,000 toward the goal of $190,000, including an anonymous gift of $5,000 in honor of Dr. Gail Humphries Mardirosian, dean of the School of Performing Arts.

The audience of over 150 people enjoyed selections played by organist Haig Mardirosian, who gave a glimpse into the range, tonal variety and acoustic potential of the Stephens organ. Performers also included Trent Rash, tenor, and Darrell Jordan, baritone, the Prairie Strings Quartet and the Stephens College Concert Choir. 

The concert was made possible with the support of Margaret Lynn Koegle ’48, who watched the concert via livestream from her home in Ohio. Her donation enabled necessary interim repairs to the organ. 

Watch the concert and donate to the organ project here.

See more event photos.

 

 
Mar
20
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Stephens adds emphasis area in Theatre for Young Audiences

There is growing interest in using children’s theatre as a way to foster the educational and emotional growth of young people. Stephens College is expanding its theatre curriculum to provide students with an opportunity to join this growing field of theatre with, for and by youth.

Beginning in Fall 2017, the School of Performing Arts will offer a new emphasis area in Theatre for Young Audiences (TYA) through the Bachelor of Fine Arts in Theatre Arts program. 

Dr. Gail Humphries Mardirosian, dean of the School of Performing Arts, said Stephens is looking forward to offering theatre students more options in its highly ranked program.

“TYA programs truly pay it forward as we focus on the future of education and artists, educators and audiences for the 21st century,” she said. “Training artists and educators of tomorrow is a calling for us at Stephens and should be essential in higher education and for all of us who respect the power of arts education.”  

Dr. Brian Sajko, vice president for enrollment management at Stephens, said TYA is a growing part of the arts industry, and Stephens wants to prepare its students to take advantage of this emerging field.

“We want our students to have all the classes and options at hand to find the path that’s right for them so that they can leave prepared to secure a position or fellowship upon graduation,” he said.  

Students seeking the TYA emphasis will participate in eight productions at Stephens’ various theatre companies. They will also receive hands-on experience at the TRYPS Institute, a children’s theatre located on the Stephens College campus that introduces children ages 10 months through high school to the magic of theatre.

The Princeton Review ranks the Stephens theatre program No. 6 in the country. The other areas of emphasis in the B.F.A. Theatre Arts program are acting, directing, musical theatre, stage management or scenic, costume and lighting design. 

 
Mar
13
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Shelly Romero accepted into renowned NYU Summer Publishing Institute

Last year, Stephens College student Shelly Romero ’17 fell in love with New York City during the English/Creative Writing program’s spring break trip. 

This summer, she’ll return to the city, this time to attend NYU’s prestigious Summer Publishing Institute (SPI) program, an intense, six-week study of book, magazine, and digital publishing.

“I’m looking forward to everything this amazing opportunity has in store for me,” said Romero, who recently received early acceptance into the program. “I feel extremely prepared to take on the Big Apple and SPI.”

During the program offered by NYU’s School of Professional Studies, students attend guest lectures with leading book, magazine and digital industry professionals. The program also offers workshops, group projects, various networking events, and resume reviews and mock internships.

Romero, who will earn a B.A. in English from Stephens in May, credits Stephens with preparing her for this opportunity.

“I often tell people that I wouldn't be who I am and I wouldn’t have had all the opportunities that I have had without Stephens,” she said.

At Stephens, Romero has had invaluable experiences working on the staffs of Harbinger, Stephens’ literary magazine and Creative Ink, the student marketing firm. She also has taken graphic design classes, which, alongside her acquired editorial skills, will make her more marketable to employers.

At the conclusion of SPI, students attend a career fair, where they have the chance to interview with top publishers in the industry.

Romero will also receive a graduate certificate, as well as six graduate credit hours that can be applied to NYU’s M.S. in Publishing: Digital and Print Media. 

Romero is the second Stephens College graduate to attend SPI in the last two years.

Maya Alpert ’16 attended last summer and now works as an editorial assistant at Insight Editions, a publisher in San Rafael, Calif.

“I hope that my experience with the program will be seen as a potential path to take for other students in my program interested in publishing,” Romero said.

 
Mar
6
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‘Girls Like Us’ wins first place for Sigma Tau Delta’s Outstanding Literary Arts Journal

The Stephens College literary magazine has once again received top honors in an international competition.  

The 2016 Harbinger, “Girls Like Us,” won first place for Outstanding Literary Arts Journal from Sigma Tau Delta, the international English honor society.

This is the fifth time in seven years that the student publication has been recognized as the best by Sigma Tau Delta. Harbinger took the first-place award in 2009, 2010 and 2011 before new rules kicked in barring a journal from winning the top award two consecutive years. Harbinger won again in 2013, and in 2015, the publication took second place, making last year’s magazine eligible to compete for the highest honor.  

“Girls like us are daring, creative and intensely passionate,” wrote 2016 editor-in-chief Maya Alpert in the magazine’s forward. “In an age where technological innovation is valued above literary and artistic creation, publications like Harbinger foster the development of meaningful and intentional expression, displaying the absolute necessity of the arts.”

Stephens Assistant Professor Kris Somerville, the faculty adviser for Harbinger, said a staff of nine students worked on the winning publication. In the fall, the students solicited poetry, short stories and non-fiction submissions from peers across campus. After that, the student staff decides which works to accept and which to reject. During the spring semester, Harbinger becomes an official course for students. That’s when student staff members edit the selected pieces and decide on a theme.

“The theme comes out of the content,” Somerville said. “The students don’t start with a theme. Instead, they look at the content and look for a unifying theme, which helps give meaning to the cover and what the editor writes in the forward.”

The Stephens’ literary magazine debuted in 1920 as The Standard and aimed to provide English students with an opportunity to be published. In 1962, it morphed into Portfolio and expanded to include art, photography and literary criticism. In the 1970s, the publication became Narcissus under the helm of Eleanor Bender, who was also owner, editor and publisher of the national poetry magazine Open Places. The literary journal became Harbinger in 1980. 

 
Mar
3
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Playhouse Theatre Company presents ‘Everything You Touch’

Linda Kennedy, an artistic associate with The Black Rep in St. Louis, is back at Stephens College, this time directing “Everything You Touch,” a comedy that looks at the darker side of fashion and the struggle to find an identity that’s more than skin deep.

“The play is especially important because we are all always looking for ways to define the self and how we fit in to all aspects of living,” Kennedy said. “It speaks to all of the ‘isms’ and how we view the self and those around us. What are we comparing the self to or competing with? How can we forgive pains of the past and rise above?”

Everything You Touch posterThe play will run at 7:30 p.m. Friday and Saturday, March 3-4, 2017, and at 2 p.m. Saturday and Sunday, March 4-5 in the Warehouse Theatre, 104 Willis Ave., on the Stephens College campus. (Get your tickets online.)

“Everything You Touch” is the eccentric creation of playwright Sheila Callaghan that looks at what happens when questions of personal ethics collide. Victor is a ruthless fashion designer in the 1970s at the top of his game. Esme, his glamorous protégé and muse, is pushed aside when an ordinary Midwestern woman inspires Victor to make his artistry accessible to the masses. A generation later, a woman wrestles with her family demons trying to find her way through a world of fashion that won’t give a woman her size a second look.

Kennedy said the play raises some important questions: “The world of fashion is changing, but is it more inclusive? Does it encourage us to look and present our best self? Or is it still male dominated, even through some female designers, with more of the same out dated views of beauty.” 

For more than 30 years, Kennedy has worked on and off the stage at Stephens College. She is a two-time Kevin Kline nominee and has received the Go List Best Actress Award, the Visionary Awards Successful Working Artist Award, the Missouri Arts Individual Artist Award, the Griot Award from the Griot Museum and the 2012 Lifetime Achievement in the Arts Award from the Arts and Education Council.

“I thoroughly enjoy coming to Stephens,” Kennedy said. “It is very much like an incubator, helping young women and men to focus, create, develop, fail, succeed, dream and feel part of a larger community. Even as a guest artist, I feel inspired, energized and encouraged without fear.”

  

Everything You Touch [New Work, PG-13]
Performances are 7:30 p.m., Friday and Saturday, March 3-4 and 2 p.m., Saturday and Sunday, March 4-5, in the Warehouse Theatre, 104 Willis Ave. Order your tickets online or contact the Box Office at (573) 876-7199 or [email protected].

 
Mar
1
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Starlets earn at-large bid to inaugural NAIA National Championship

KANSAS CITY, Mo. – The Stephens College competitive dance team earned an at-large bid to the inaugural NAIA Competitive Cheer & Dance National Championship, the NAIA national office announced Sunday evening.

Led by first-year head competitive dance coach and dance faculty member Paige Porter, the Starlets will return to nationals for the second consecutive year, but this year will be the first that competitive cheer & dance is a fully-sponsored NAIA National Championship.

“While competitive cheer & dance is new to intercollegiate athletics, we are certainly putting our stamp on the sport with two consecutive trips to NAIA Nationals,” Director of Athletics Adam Samson said. “Under Paige’s direction, the team has constantly improved and we are peaking at the right time. The National Championship bid is a culmination of all the hard work our group has put in since the beginning of the school year.” 

The National Championship begins on Friday, March 10 in Oklahoma City at the Abe Lemons Arena on the campus of Oklahoma City University. The preliminary round will begin at 6:45 p.m. on Friday and will account for 25 percent of the overall score. Finals will start at 12:15 p.m. on Saturday afternoon.

The field of competition for dance is set for 12 teams total, leaving eight at-large bids after the four Regional champions earned an automatic bid.  Grand View (Iowa) won the Southeast Regional to earn the automatic bid for the Starlets’ region. The other three automatic bids went to Midland (Neb.), Aquinas (Mich.) and Oklahoma City.

The Starlets were awarded the seventh at-large bid after scoring 77.540 at Saturday's Regional. Three other opponents from the Southeast Regional also earned an at-large bid to the Championship. These teams included Missouri Baptist, Lindenwood-Belleville (Ill.) and Central Methodist (Mo.). 

The Starlets will face a similar set of competitors as last year as eight opponents from the 2016 NAIA Dance Invitational made it into the 2017 field. The complete field of competitors for the 2017 NAIA National Championship is: Grand View (Iowa) – 90.260, Midland (Neb.) – 89.875, Aquinas (Mich.) – 84.710, Oklahoma City – 84.300, Missouri Baptist – 88.810, Morningside (Iowa) – 83.312, Baker (Kan.) – 83.041, St. Ambrose (Iowa) – 81.710, Lindenwood-Belleville (Ill.) – 79.100, Siena Heights (Mich.) – 78.130, Stephens (Mo.) – 77.540, and Central Methodist (Mo.) – 76.030.

The NAIA is the only collegiate athletics association to offer a national championship in competitive dance, and it is the first, along with cheer, to earn national championship status within the NAIA in a span of 22 years. 

 

This article is republished from the Stephens Stars website.

 
Feb
22
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Stephens Student Success Center sees increase in visits by students

 

Stephens students made more visits to the Margaret Campbell Student Success Center (SSC) than ever before during the center’s first semester in its new location inside the Hugh Stephens Library.

Sady Mayer Strand, director of the center, said providing students academic support and professional tutoring in a library setting makes sense.

“So far, it’s going very well,” she said.

According to records kept by the SSC, students made 1,354 visits to the center during the Fall 2016 semester. That compares to 1,176 visits during that same period in 2015. 

Strand said students who used the center this fall made an average of four or five visits during that time period. And, in general, between 40 and 50 percent of undergraduates use the success center each semester. 

Located on the first floor of the library, the success center is an enclave of desks and tables with computer access where students can meet with tutors individually or in small groups. The center, which is open from 8 a.m. to 5 p.m., Monday through Friday, is available to any full-time undergraduate, graduate or online student.

At any one time, there is at least one professional tutor available to help students with assignments and writing papers. A peer tutor also is available to assist students with science. In addition to helping students with specific assignments, tutors work with students to develop study skills, time management and strategies for dealing with test-taking anxiety.

Occasionally, workshops are held at the success center around themes such as research, computer applications and APA citation. The success center is also responsible for making sure ADA/504 accommodations are being met. 

“We are teaching as much as we are tutoring,” Strand said.  “We want them to walk away with skills that they can apply later with other assignments and help themselves.”

Mariah Escarsega ’18 sought help at the success center shortly after her grades plummeted during her first semester at Stephens. She quickly realized that she didn’t know how to properly study or prepare for college-level tests.

It didn’t take long for her sessions with a tutor to begin paying off. 

“I learned study skills that I can apply to all my subjects,” said Escarsega, who studies often at the success center. “I like coming here to study because if I have a question, there is some who can answer it, and I’m not stuck. Plus, everyone who comes to the success center comes to study, and I like that.”

 
Feb
20
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Stephens College School of Performing Arts participates in arts advocacy day at Capitol

 

The voices of Stephens College School of Performing Arts students, faculty and staff joined with other supporters of the arts at the Citizens for the Arts Day hosted by the Missouri Citizens for the Arts (MCA) at the Missouri State Capitol on Feb. 8. 

Starbursts“Our students must learn to articulate the importance and value of the arts in our lives both practically and philosophically,” said Dr. Gail Humphries Mardirosian, dean of the School of Performing Arts. “It is my hope that we garner strength and courage from this experience to continue to be strong and clear advocates for the arts.”

The annual event featured advocacy training, legislative visits with state officials, performances and an arts awards ceremony.

“The day really reinforced for me the importance of speaking up about the need for funding for the arts,” said Sicily Mathenia, a second-year musical theatre student. “It was not easy and not every representative was happy to listen to us. As an art student, my life revolves around arts education and has since I was a small child. It was a wake-up call for me to realize that not everyone values arts education in the way that I do.” 

Mathenia, as well as the other members of The Starbursts, the dean’s student arts advisory council, represented the school. The Starbursts also include Emma Frankie Costello, a third-year theatre student; Dana Leigh Degnan, a second-year vocal arts student; Brandon Mayville, a second-year professional conservatory student; and Delainey Phillips, a second-year musical theatre student.

Costello, who attended last year’s advocacy day as well, has found both experiences rewarding.

“It is wonderful to see a bunch of Missouri citizens come together and support the arts,” she said. “This year more than ever it is important to have all kinds of people speaking up for the arts and other things they believe in. The government is taking a serious shift after this election, and people must make their individual voices heard to make any difference.” 

Others who attended from Stephens were Chelsea Andes, administrative assistant for the School of Performing Arts; Ruth Ann Burke, school business manager and executive director of the Okoboji Summer Theatre, Stephens’ summer stock theatre in Iowa; and Jill Womack, executive artistic director of the TRYPS Institute at Stephens College. Several TRYPS students and a parent also attended.

“I feel as though we made an impact on Arts Advocacy Day, but there is so much more work to be done,” Mathenia said.

 
Feb
17
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Stephens College to showcase shoes and hats in “Head Over Heels” exhibit

Shopping at department stores in the city was an event from the 1940s through the 1960s.

Imagine walking into a 25-story building about the size of the entire Mall of America near Minneapolis and being greeted by uniformed sales clerks, sparkling chandeliers and miles of gleaming hardwood floors. Instead of elbowing your way through a crowded food court popular in today’s shopping malls, you would be seated to dine in a “tea room” restaurant, where meals were often made from scratch.

That’s the backdrop to the Stephens College Costume Museum and Research Library’s latest exhibit, “Head over Heels,” which opens Feb. 18, 2017, and runs through May 7 in the Historic Costume Gallery on the mezzanine level of Lela Raney Wood Hall, 6 N. College Ave. The exhibit is free and open to the public.

The show includes 16 pairs of shoes, 10 hats and a variety of accessories such as stockings from the three-decade period. Most of the items on display have a Missouri or Columbia connection.

shoes For example, there is a pair of sandals purchased at the Novus Shop, which opened in 1936 in downtown Columbia. There are shoes from Harzfeld’s department store in Kansas City, and suede Palter DeLiso ankle strap sandal from the 1940s that were purchased at Famous-Baar in St. Louis. 

“I was thinking about merchandizing and shopping practices involving department stores of that era,” said Lori Hall-Araujo, an assistant professor in the fashion program and curator for the Stephens College Costume Museum and Research Library. “It was the end of an era when there were more rules about fashion, which in some ways, made it easier for women to dress because they knew what the expectations were.”

Hall-Araujo joined the faculty at Stephens this fall after serving as an Anawalt Postdoctoral Fellow in the Center for the Study of Regional Dress at the Fowler Museum at the University of California, Los Angeles.  “Head Over Heels” is her first exhibit at Stephens and one she selected for its practicality, among other reasons.

“I wanted to focus on things that don’t require as much labor, and hats and shoes are less involved than exhibiting garments,” she said.

Hall-Araujo explained that showing garments from a museum collection is time-consuming because the mannequins must be modified to fit the garments, not the other way around, the reason being the preservation of the clothing.

“We want to treat every garment as if it were worn by Marie Antoinette,” she said.

The exhibit includes some offbeat items such as a pair of sandals made in England that earned a royal warrant. The special designation authorized the company to display the royal arms, indicating that the sandals were supplied to the sovereign or to a specific member of the royal family. The sandals in the Stephens show have Wedgwood bone china heels on which a relief of an angel is engraved.

“Aren’t they amazing?” Hall-Araujo said.

There’s also a pair of Capezio mustard-colored lace-up jazz oxford with black leather detailing that were popular among Beatniks of the time.

“They probably weren’t terribly expensive because many young people were wearing them,” Hall-Araujo said.

To prepare the shoes for the show, each pair was cleaned using a small brush and a vacuum hose, which was covered with a nylon stocking to prevent loose pieces from being sucked into the machine. All the items in the exhibit are stored on shelves in a climate-controlled room.

 

If You Go

Gallery Dates: Feb. 18-May 7, 2016

Gallery Hours: 12-1 p.m. Wednesdays, 5:30-8:30 p.m. Thursdays, and 12-3 p.m. Saturdays and Sundays. Closed during Stephens College holidays. 

Location: Historic Costume Gallery, mezzanine level of Lela Raney Wood Hall

The exhibit is free and open to the public. 

 
Feb
10
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Stephens to restore organ, hold benefit concert in Firestone Baars Chapel

 

Those familiar with the Firestone Baars Chapel know Finnish architect Eero Saarinen, who designed the Gateway Arch in St. Louis, also planned the historic sanctuary on the Stephens College campus.

What they might not know is inside the building waits a hidden gem: an organ.

Built by the preeminent Aeolian-Skinner Organ Company of Boston, and installed in 1956, the organ is unique, its geometric shape and clean lines clearly influenced by the chapel’s architect. Even the organ’s console has it own quirky characteristics.

But after 60 years in place, the Aeolian–Skinner needs some attention.

On Wednesday, March 8, 2017, Stephens will host “Make a Joyful Noise,” a concert at the chapel to benefit the organ restoration project. The concert begins at 7:30 p.m. and costs $20 per person. (Buy tickets.) Performers include Haig Mardirosian, organist; Trent Rash, tenor, and Darrell Jordan, baritone; the Prairie Strings Quartet and the Stephens College Concert Choir. A reception will immediately follow the concert.

“The organ is part of the legacy of Stephens,” said Dr. Gail Humphries Mardirosian, dean of the School of Performing Arts. “We felt the time was right to begin work on restoring this valuable instrument.”

Last year, the School of Performing Arts received a $10,000 gift to begin the process, first assessing the condition of the organ and then identifying small fixes that could be made in time to make the organ more playable by the benefit concert in March.

John Panning, a consultant with Dobson Pipe Organ Builders in Lake City, Iowa, traveled to Columbia to examine the instrument and found a number of issues. Among the most serious was the poor condition of the leather bellows inside the organ. His report also indicates that, among other work, the pipes need tuning, regulating and cleaning. Some quasi-cosmetic repairs include smoothing chipped keys and broken stop tabs.

The estimated cost of restoring the organ to its original splendor: $190,000.

But Haig Mardirosian, who will be playing the organ during the benefit concert, said the cost of the project is “a pretty good investment” in an instrument that cost the College about $33,000 in the mid- to late-1950s and is estimated to be worth about $1.5 million when its restored.

“The organ is a very valuable resource,” he said.

Mardirosian, who is married to Stephens’ dean of the School of Performing Arts, has been playing the organ since he was a boy growing up in New York. Today, he is dean of the College of Arts and Letters and professor of music at The University of Tampa. He has earned international standing as a composer, conductor, concert organist and recording artist.

Mardirosian was 12 when his mother took him to the Riverside Church in New York City to hear the famous Virgil Fox play the organ. Riveted by the performance, the boy vowed to play the powerful instrument.  

Mardirosian believes a restored organ at Stephens could have the same power to inspire a new generation of players and fans.

“I hope everyone is as excited about this project as I am,” he said. “Just wait until you hear the organ after it’s restored. You won’t believe your ears.”

 

organ header

Benefit Concert

7:30 p.m., Wednesday, March 8, 2017

Firestone Baars Chapel, 1306 E. Walnut St.

Stephens College campus

Proceeds from the concert will benefit the organ restoration project. Tickets are $20 per person and can be purchased online or by contacting the Box Office at [email protected] or (573) 876-7199.

 
Feb
9
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‘Florence of Arabia’ 10-minute play wins top honors at Region V Kennedy Center American College Theater Festival

“Florence of Arabia,” a 10-minute play written by Minuette Layer ’17, won top honors on Jan. 28 during the Region V Kennedy Center American College Theater Festival (KCACTF) awards ceremony in Des Moines, Iowa.

The play was among two selected from a field of more than 100 plays submitted to the seven-state region, which includes Iowa, Kansas, Minnesota, Missouri, Nebraska, North Dakota and South Dakota.

Layer’s play is one of two semi-finalists from each of the eight KCACRF regions that now goes on to be considered by a panel of judges for a concert reading in April during The Gary Garrison National Ten-Minute Play Award ceremony at the Kennedy Center in Washington, D.C.

A winner will be selected along with three additional national finalists whose plays will be presented with casts made up of professional actors from the Washington, D.C., area. 

This isn’t the first time Layer’s 10-minute play has garnered attention.

“It was staged last summer at the Just Off Broadway Theatre in Kansas City,” Layer said. “It’s always nice to see different incarnations of the show and to watch the script grow and change in new unexpected ways.”

The play is about a family of cosplayers who are performers who wear costumes and fashion accessories to represent a specific character. The word comes from the contraction of the words costume play. In “Florence of Arabia,” the family must convince their daughter Sarah to be “normal” after she embarrasses them at Comic-Con by trying to dress as Lawrence of Arabia instead of picking from a more mainstream fandom.

Layer said writing a 10-minute play isn’t easy because they must have a beginning, middle and an end.

“The main challenge is trying to tell a full play’s worth of information in just a few pages while still keeping the story engaging,” she said. 

 
Feb
3
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‘Emma’ offers contemporary twist to Jane Austen classic

 

When Timuchin Aker first read the 2010 stage adaptation of Jane Austen’s classic comedy “Emma,” he was struck by the play’s dichotomy.

The script read contemporary but was still rooted in 19th century language.

Emma posterAker, an assistant professor of theatre at Stephens College and director of “Emma,” which opens today at the Macklanburg Playhouse, decided the best way to approach the play about the mischievous “matchmaker of Highbury” was to embrace the script’s curious twist of old and new and infuse the production with young ideas and old-fashion sensibilities. 

“The play is very much set in Austen’s time period and culture,” he said. “But there is still a good bit of modern contemporary flare to it.”

With that in mind, Aker turned to Tom Andes, instructor of music, who agreed to do music for the show. And in keeping with the old-meets-new spirit of the play, they decided to shake things up.

That’s how the piano ended up on stage where Andes will play throughout the two-hour show. He even uses the instrument to make special sound effects.

Another aspect of the play that gives the production a contemporary feel is the show’s main character, Emma Woodhouse—played by Morgan Walker ’17—who talks directly to the audience. With a snap of her fingers, Emma stops the action on stage and addresses the playgoers. 

“It’s not what you’d expect,” Aker said.

Originally published in 1815, the story follows Emma Woodhouse, the “matchmaker of Highbury,” who has just moved on to her newest project, a sweet but modest girl named Harriet Smith. With comedic twists and turns, the story is a lighthearted tale of gossip, matrimony and misunderstanding. 

 

Emma [Classic, G]
Performances are 7:30 p.m., Friday and Saturday, Feb. 3-4, 10-11 and 2 p.m., Sunday, Feb. 5, in the Macklanburg Playhouse, 100 Willis Ave. Contact the Box Office at (573) 876-7199 or [email protected] for tickets. 

 
Feb
3
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Dame Zandra Rhodes to speak April 4 in The Jeannene Booher Fashion Lecture Series

 

The Stephens College School of Design will host a visit and lecture by one of the most iconic names in fashion: Dame Zandra Rhodes, the pink-haired pioneering British designer who has dressed, among others, Princess Diana, Freddie Mercury, Helen Mirren, Sarah Jessica Parker and Lauren Bacall.

Rhodes will speak at 7 p.m. on April 4, 2017, at the Kimball Ballroom of Lela Raney Wood Hall, 6 N. College Ave. The lecture is free and open to the public.

Rhodes is the second speaker sponsored by The Jeannene Booher Fashion Lecture Series, which launched in November 2016 with a $1 million gift from Booher, a 1956 alumna of the Stephens College fashion program.

“We are excited to have Dame Zandra Rhodes as our newest Jeannene Booher Fashion Lecture Series guest,” said Dr. Monica McMurry, dean of the School of Design. “Ms. Rhodes is an internationally known textile and fashion designer.  She has a storied clientele and is now working with Valentino to create fabulous fabric prints.”

McMurry said beside her lecture Rhodes will work one-on-one with students in Stephens pattern to print and printmaking on fabric courses.

“This is an opportunity of a lifetime for our students,” she said.

Rhodes, known for her dramatic, glamorous and extroverted personality, has pieces in the collections of The Metropolitan Museum of Art’s Costume Institute and the Fashion Institute of Technology’s library. She came onto the fashion scene in the late 1960s and is known for creating unique fashion pieces, timeless bold prints, fiercely feminine patterns and theatrical uses of color. She considers legendary editor Diana Vreeland of Harper’s Bazaar and Vogue as a mentor.

In addition, Rhodes founded the Fashion and Textile Museum of London and designed costumes for the San Diego Opera’s “The Magic Flute” and Bizet’s “The Pearl Fishers.”

 
Feb
2
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Dr. Erin Sellner uses music to engage students in science courses

Dr. Erin Sellner knew teaching Immunology at 8 o’clock in the morning would be tough, for her and the students.

So she turned to her favorite pastime and family’s lifeblood: music.

But there was more than entertainment in the songs Sellner played for her blurry-eyed students. There was a lesson.

Pink’s “You Make Me Sick” signaled a lecture on infectious diseases and vaccines while The Isley Brothers’ “Contagious” kicked off a discussion about the Zika virus epidemic. And what better way to usher in a lesson about cell signaling than Blondie’s “Call Me?”

“I try to use different modalities in my teaching,” said Sellner, an assistant professor of biochemistry in the School of Health Sciences. “That’s the way I get to be a bit creative and artsy like the rest of my family while still pulling it all back to my love for science.”

Sellner later posts the song along with the lecture online in a discussion thread titled “Beats by Dr. E.” She encourages her students to listen to the music while they study, hoping the songs will help trigger information about the subjects. She also posts articles about current advancements or research in science, showing students that what they are learning is tied to the world they live in. 

“I just find these subjects so fascinating that anything I can find to help pass it along is very much worth it to me,” Sellner said. “One of the things I really love about teaching is that moment when a student finally really, really gets it. I live for that moment.”

Sellner grew up in New Ulm, Minn., a town of about 13,200 people located 90 miles southwest of Minneapolis. Her father was a classically trained pianist and her mother, who had a master’s degree in music education, taught choir, band and general music at the local public schools. 

When she was in high school, Sellner and her family moved to Jefferson City.

It appeared early on that Sellner would follow in her parents’ musical footsteps. She started on piano, later expanding her repertoire to include the oboe, alto-saxophone and tenor saxophone. Alhough she enjoyed music, Sellner wasn’t convinced it was her calling. 

Always a good student, Sellner challenged herself academically, taking as many Advanced Placement courses, including an advanced science course in ninth grade, as she could.

And that’s where it happened.

“I fell head over heels in love with genetics,” Sellner said. “It was just so amazing how it explained inheritance and how you could predict inheritance.”

When she got home that night, Sellner couldn’t stop talking about genetics, and she hasn’t stopped since.

“It’s my lasting love,” she says. “It’s a case of once you find something that makes you that excited, you don’t waste your time on anything else.”

Sellner received a B.S. in Animal Science with minors in rural sociology and English from the University of Missouri-Columbia. She immediately went on to earn a Ph.D. in Animal Science from MU, with an emphasis in reproductive physiology and molecular genetics and a doctoral minor in college teaching.  

Before accepting a full-time position at Stephens last year, Sellner was teaching as an adjunct professor at Moberly Area Community College, William Woods University, Westminster College as well as at Stephens. This spring, she is teaching cell biology, immunology and biochemistry at Stephens and oversees the seniors’ capstone projects.

Sellner is grateful for the opportunity to put down roots at an all-women’s college.

“I really had no idea how amazing it would be in this kind of atmosphere,” she said. “It’s wonderful because there are young women in the hallways talking about science, and they come in and seek me out to have conversations about science!”

One thing Sellner noticed in the co-ed courses she taught before joining Stephens was male students often dominated the science labs while the women stood back, taking notes and watching.

“In our labs, everyone is touching everything,” Sellner said. “It’s amazing to see young women with their hands on pipettes, reading microbial plates and digging in. No one is complaining about the smell or anything else because there is no one to posture for. I feel so good about sending women out into the world who know what they know and aren’t afraid to share it.”

And the students find Sellner’s love for science, well, contagious.

“Dr. Sellner has a tremendous amount of passion for science and education, and it shows in her classroom,” said Dana Heggeman ’16, now a graduate student in Stephens’ Master of Physician Assistant Studies program. “She is constantly pushing students further into their studies, making them look past just memorizing the fact and into applying what they’ve learned to the real world.”

Hannah Fountain ’17 looks forward to Sellner’s lectures and labs because she knows she will leave the class enthused about a new topic in science.

“Dr. Sellner will draw dozens of diagrams and bring countless props to help make abstract concepts tangible,” Fountain said. “Dr. Sellner’s commitment to the success of her students shows us how to believe in ourselves. Dr. Sellner is everything that is truly great about Stephens College.”

While Sellner is devoted to her college students, she also knows the secret to increasing the number of women in science is to inspire them while they’re young. That’s why Sellner has worked hard to win grants to bring middle school girls to campus for Saturday Science at Stephens. She also advises Tri-Beta, the national biological honor society on campus, whose members take an active role teaching and mentoring the middle school girls.

Dr. Susan Muller, dean of the School of Health Sciences, is impressed with Sellner’s dedication to her students and the field of science.

“Dr. Sellner is an outstanding faculty member who is passionate about teaching and helping young women become interested in science,” she said. 

Sellner embraces the notion that she isn’t the stereotypical science teacher and hopes her example inspires students to be themselves and follow their own paths.

“What I really love about Stephens is our students are engaged with their courses, and they are engaged with their professors,” Sellner said. “I am happy my students feel comfortable walking into my office to talk with me about coursework and other things. I’m here for them.”

 
Feb
1
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Creative Ink students tackle poster design for 'Emma' production

Each semester a team of students from Creative Ink, Stephens College’s student-run marketing firm, works with the School of Performing Arts to create promotional materials for at least two shows.

This fall, however, every student at Creative Ink worked on creating a poster for Stephens’ upcoming play “Emma.” 

Kate Gray, associate professor in the School of Design and Creative Ink adviser, said the poster project became a training opportunity for students to learn firsthand and from each other what it’s like to work with a professional client. 

“We had asked the students, ‘How would you make the training better?’” Gray said. “The students said they wanted a project that they all worked on. So, that’s what we did.”

The process worked like most professional marketing jobs.

First, representatives from the School of Performing Arts talked with members of Creative Ink about the play and its storyline. Next, the firm’s 12 students were split into five teams and were asked to design three posters, each with completely different looks.

Finally, with everyone in the room, each team presented its posters to the client. Students also had the opportunity to hear each team’s feedback from the client.

Director Timuchin Aker, assistant professor of theatre at Stephens and director of “Emma,” was awestruck by the students’ creativity.

“We couldn’t have been happier with the results,” he said.

The winning poster, created by Claire DeSantis ’18 and Lyubov Sheremeta ’18, conveys a perfect pop-meets-period vibe, which is just what the client wanted for the 2010 adaptation of one of Jane Austen’s greatest novels.   

Clean and simple, like a modern magazine cover, the poster features a tight shot of the play’s star, Morgan Walker ’17, under the heading “Emma” in big pink letters.

But the kicker for Aker was the words “Oh, snap!” printed in white below Walker’s picture. The exclamation—made popular in recent years by Tracy Morgan on “Saturday Night Live”—is a play on something Emma does on stage that gives the production a modern-day feel: She snaps her fingers to stop the action of the play and talks directly to the audience.

“It told me the students had really listened to what we had to say about the play,” Akers said. “ Also, someone who says ‘Oh, snap!’ today could very much be the same kind of person who Emma was in her time period. There is a direct correlation between the youth of today and Emma. It was brilliant on the part of Creative Ink.”

 
Jan
21
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Students celebrate differences at first Fallopian Fest

What better way to bring women together than to create an event that celebrates their many different experiences?

That was the idea behind the Fallopian Fest, an afternoon event created by five Stephens College students, which was held Jan. 21 in the Kimball Ballroom of Lela Raney Wood Hall. The festival showcased local poets and musicians and advocates who also spoke at the event, sharing their personal struggles as women or gender-nonconforming persons. There was also a panel of speakers who responded to a guided Q&A session about a wide range of women’s issues.

All money raised by the event was donated to True North, a local women’s shelter.

Organizers of the event were founders Emme Van Roekel and Lauren Douglas, and coordinators Winona Wiley, Keyari Page and Madeline Campbell. 

 
Jan
18
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Embassy of the Czech Republic hosts Stephens' Traces in the Wind

The Stephens College cast of “Traces in the Wind” returned to Washington D.C. on Jan. 17 for another performance of the tone poem of remembrance.

This time the group appeared before the Embassy of the Czech Republic to which Dr. Gail Humphries Mardirosian, dean of the School of Performing Arts, has strong ties.

“Traces in the Wind” was developed one and a half years ago by Mardirosian, who worked with various Stephens theatre and musical theatre students on the piece. Tom Andes, instructor of music, composed original music and worked with Mardirosian to develop the lyrics. The group gave a performance last spring at Stephens before traveling to Washington D.C. for a showing at the International Psychoanalytical Association’s conference at American University.

The piece is based on writings from three Czech survivors of Terezin, a Nazi transit camp located 45 miles outside of Prague.

“The words of three extraordinary women who were betrayed, humiliated, deprived of normal living conditions and incarcerated, experienced a great depth of psychological and physical abuse and, yet, survived, were used as the matrix for the presentation,” Mardirosian said. “It seemed as if each of these exceptional women had used their art as some form of sustenance and it gave them some renewal, at least for the soul.”

Mardirosian said it’s impossible for her to fully comprehend the circumstances under which the women suffered.

“Yet, as an artist, there was such a compelling empathy generated from reading their writings,” she said, “that I felt an extraordinary desire to share their words.”

The stories presented include those of Charlotte Delbo, portrayed by Katherine Moore ’17, Rosie Glazer, portrayed by Clara Bentz ’17 and Eva Kavanova, portrayed by Lauren Hardcastle ’16.

Abilene Olson ’17 performs as the narrator; Jayme Brown ’17 serves as production stage manager and dramaturge; and Jamie Casagrande ’17 designed the costumes. Brandi Coleman, visiting artist, developed the movement. Pam Ellsworth-Smith, associate professor of vocal arts, served as vocal coach. Dialect coach was Paula Cavanaught Cater. Script consultant was Barbara Oliver Korner.

Mardirosian’s work with Czech theatre began in 2000 when she was invited by the Czechoslovak Society of Arts and Sciences, an international nonprofit organization promoting Czech and Slovak cultural and intellectual contributions, to present the American debut of a play written by the famous Czech playwright Josef Topol.  This led to many subsequent performances and presentations sponsored by the Embassy and performed in Washington D.C., as well as invitational lectures at various universities in the Czech Republic and Slovakia and Bohemia Hall in New York City.

In addition, Mardirosian’s work with the Embassy of the Czech Republic represents an important connection to her personal life.

“My mother was Czech and Slovak and this work connects me to my roots in so many ways,” she said. “I am also driven by a conviction to theatre for social justice.”

 
Jan
12
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Stephens to mark Martin Luther King Jr. Day with various programming

 

The Stephens College community will gather for a special celebration on Jan. 16, 2017, to honor Martin Luther King Jr. Day.

Activities will begin at 3 p.m. with a Peace Walk, which will start at Historic Senior Hall conclude in Windsor Auditorium, where a program of powerful performances begins at 4 p.m.

This year’s program is dedicated to Monica Hand, an assistant professor of English, who passed away in December.

The program includes the short film “Sugar-Coated: Make America Great Again” by Tracy Wilson-Kleecamp as well as a dance performance titled “Freedom,” choreographed by Kylie Thompson ’18 and performed by Cerena Chancey ’19, Kiana Homan ’19 and Madisen Nielsen ’18. There will be spoken word by Tiana Williams ’18 and Poets of Infinity, a student group, and a soliloquy performed by Sicily Mathenia ’19. 

This MLK program is a collaboration between the Black History Month Committee, Poets of Infinity, Student Development Office of Programming and Leadership, and the School of Performing Arts.

During the day, students will participate in community service opportunities. Stephens juniors and seniors also will attend a Diversity Conference designed to improve awareness and appreciation of diversity in our communities and places of work. The conference, led by facilitators from the National Conference for Community & Justice of Metropolitan St. Louis, will focus on understanding microagressions/hot buttons and triggers, allyship and creating a foundation of how we are able to become authentic allies. There will be opportunities for participants to see and identify how these identities manifest themselves in daily life through interactive and engaging activities.

 
Jan
11
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Stephens College opens new Student Engagement Center

The next time one of Stephens College’s 30 student organizations calls a meeting, organizers won’t have to scramble to find an open room on campus to gather.

They can simply meet at the new Student Engagement Center in Stamper Commons.

The newly renovated space—designed especially for student organizations—is fully equipped with a conference table, filing cabinets, counters and individual cubicles. The large room once housed the Student Success Center (SSC), which has relocated to the Hugh Stephens Library. Also noteworthy, last semester the SSC was named in honor of Margaret Campbell for her longtime dedication to Stephens College.

Megan Murray, associate director for student leadership and engagement, said the Student Government Association and Campus Life Unleashed have already moved into the new space and are working on holding regular office hours.

“Before we had this space, student groups were meeting in a variety of areas across campus,” Murray said. “Now, they have a place to meet and can apply to have a work space and filling cabinet to store their files and supplies.”

At the beginning of each academic year, student organizations will have an opportunity to apply for the workspaces and filing cabinets, which will be assigned on a first-come, first-serve basis, Murray said.

“That way, if a group finds they don’t need the space, another group has an opportunity to apply for it,” she said.

Other improvements at Stamper included the Meditation Room, a space downstairs where students can retreat for quiet time and yoga. The student union, now dubbed the Den, has been updated with new chairs, sofas and beanbag chairs as well as a new and improved ball pit.

 

 
Jan
6
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New equipment comes thanks to employee award winners

Next time it snows, expect to see a shiny orange Kubota tractor at work, clearing walkways and parking lots on the Stephens College campus. 

The new, four-wheel-drive vehicle—with a 25 horsepower engineer—was delivered shortly before Christmas to the Facilities department where employees pooled their Reaching for the Stars Award money to help purchase the tractor. In addition, an anonymous donor matched the award money and an old tractor from the equestrian department was used as trade in the purchase.

“The tractor will be used to help save employees’ backs and money spent on renting equipment we won’t need anymore,” said Greg Mankey, director of Facilities Management.  

The Kubota arrived from Farm Power Lawn & Leisure of Columbia, fully equipped with a removable shovel for moving dirt and snow as well as a detachable mower that will be used by the Equestrian department. And if that wasn’t enough, a removable blade for spreading gravel and dirt and clearing snow was donated by the local dealership.

In the future, Mankey hopes to add an attachable rototiller and backhoe to the tractor’s accessories. 

Stephens President Dianne Lynch said the tractor is a good example of a purchase that the college needed because it will benefit many people and departments. 

Through the Reaching for the Stars Award program, Stephens College encourages employees to identify ways in which the college can improve its services and/or incur cost savings by improving operational efficiencies. The award is presented each year to any employee/employees who suggests an idea that is implemented which most improves services, workplace safety, programs, working environment and conditions, processes, operations or improves efficiencies and/or cost saving to the college. 

Award recipients receive a plaque as well as $1,000 for a select college project or department.

 

 

 

 

 

 

 

 

 
Dec
16
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Four Stephens students receive prestigious YMA Fashion Scholarship Fund scholarships

  

Four Stephens College fashion students are among 229 recipients nationwide of the highly competitive 2017 YMA Fashion Scholarship Fund (FSF) scholarships.

Each student will receive $5,000 from the YMA FSF, which is the fashion industry’s leading educational nonprofit, granting the largest sum of money and total number of scholarships.

The Stephens recipients are Madison Brown ’20, fashion marketing and management; Cierra Bergen ’20, apparel studies; Kalynn Coy ’17, fashion marketing; and Audrey Lockwood ’18, fashion design and product development.

In addition to the scholarship check, recipients will receive an all-expense paid trip to the annual January Awards Gala in New York City and have access to internship opportunities through YMA FSF partner companies, which include Calvin Klein, Global Brands Group, Nautica, and Phillips-Van Heusen Corp, to name a few. Each student will be matched with an industry executive who will serve as a mentor during the year of the award.

“This proved to be the most competitive competition in the history of the organization with 569 applicants from 58 member schools,” said Marie Colletta, director of education programs at YMA Fashion Scholarship Fund.

Kirsteen Buchanan, associate professor of fashion, said the scholarships are only awarded to students from colleges and universities who are invited by the YMA FSF to participate as a member school. This was the first year Stephens was asked to join the competition, and six students applied for the scholarship money. Stacie Mayo, a fashion marketing and management/business instructor, was also instrumental in the student entries.

“We did very well,” Buchanan said.

Each student, who needed a 3.0 GPA or above to apply for the scholarship, was asked to complete a case study involving a fictional partnership between Etsy and Macy’s department store company. Two industry judges evaluated each case study independently.

Established nearly 80 years ago with a mission to advance the fashion industry by encouraging creative young people to pursue careers in the field, the YMA Fashion Scholarship Fund offers scholarships and comprehensive programs to fashion students across the country. Each year, the organization presents scholarships from $5,000 to $30,000, leading the industry in support and commitment to education. 

 
Dec
13
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December graduate Jordan Collins ready for possibilities to come

Jordan Collins is not one to seek the spotlight. She prefers working behind the scenes, coordinating details, crunching numbers and solving problems.

So when Collins, a 23-year-old digital filmmaking major with a double minor in theatre arts and small business management, was asked to represent the undergraduate class and deliver a commencement speech for the Stephens College graduation this month, she was shocked.

“Why me?” she wondered.

For those who nominated Collins, the choice was clear.

“She is an incredible young woman,” said Ruth Ann Burke, business manager for the School of Performing Arts, who worked with Collins for three years at the Stephens College Box Office and Citizen Jane Film Festival.

“Jordan is a hard worker, smart, creative and unafraid,” she added. “I am in complete denial that she will be gone soon.”

Collins is among more than 50 undergraduate and graduate students who are scheduled to graduate from Stephens during a commencement ceremony at 6 p.m., Friday, Dec. 16, 2016, in the Kimball Ballroom of Lela Raney Wood Hall.

Additional speakers will be graduate representative Beth Alpers, who will receive her Master in Strategic Leadership, and Shatenita Horton, who will deliver the keynote address. Horton has worked in banking for more than 18 years and is currently the vice president, banking center manager and security officer for Providence Bank in Columbia.

A native of Fulton, Mo., Collins spent a year at Southeast Missouri State University in Cape Girardeau, Mo., before transferring to Stephens three-and-a-half years ago to study theatre management. But after one semester, Collins changed her major to digital filmmaking with dreams of pursuing a career in reality television and documentary film.

“I’d like to bring reality television back to something more important,” she said. “I like the idea of going someplace, finding people who live there and showing them as they really are.”

During her years at Stephens, Collins not only worked in the Box Office but also served on the board of the student-run Warehouse Theatre and as stage manager of the Senior Dance Concert for three years. She was assistant director of the biannual Summer Film Institute, taking a lead role in the production of “Chasing AllieCat.”

Collins also landed prestigious and highly competitive internships, including a stint with the Television Academy in Hollywood, the organization that puts on the Emmy Awards, and a summer with Tremendous! Entertainment in Los Angeles, the company responsible for producing reality shows such as “Bizarre Foods” and “Angels Among Us.” She also interned with Figure 8 Films in North Carolina, famous for TLC reality shows such as “Kate Plus 8” and “Sister Wives.”

Closer to home, Collins occasionally works for Spectrum Studios in Columbia, which specializes in producing high-quality digital content for multiple mediums, including commercials, feature films, music videos, short films, documentaries, educational and training programs, news, and sports. She also worked full time for both the Citizen Jane and True/False film festivals in Columbia.

Kerri Yost, an associate professor of digital filmmaking and Collins’ academic adviser, worked alongside Collins during the local film festivals and was impressed with her initiative and knowledge.

“We gave her the kinds of responsibilities usually reserved for people who have worked in our industry a long time,” Yost said. “Jordan is so mature and qualified and has the people skills, communication skills and organizational skills of a professional.”

Yost has no qualms about sending Collins out into the world.

“She’s ready,” she said. “Her biggest challenge will be deciding what she wants to do. Does she want to go straight to L.A. and work in television or maybe work for a film festival or a small production company or do something completely new? She has opportunities, which is fantastic.”

Collins is open to the possibilities and ready for a challenge.

“You have to take charge of your life,” she said. “You have to be motivated and determined to make things happen for yourself.”

 
Dec
7
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Assistant Professor Chase Thompson featured in Best of Photography 2016

Chase Thompson knew he had something special the moment he snapped the picture.

The lighting was perfect, and he had a shallow focus.

But more importantly, Thompson, an assistant professor of filmmaking at Stephens College, saw something beyond the image of a Haitian farmer smiling at the camera. He recognized the indelible spirit of the Haitian people.

It was the image he had been waiting for.

“I had been talking to this guy, and he was in his 60s, and he was very fit,” Thompson said. “He had his arms up and was sort of leaning in, and I managed to get a perfect focus on his smile.”

The picture was recently featured in the Photographer’s Forum magazine’s Best of Photography 2016.

Thompson took the picture in 2014 during a trip to Haiti with two Stephens digital filmmaking students. The trio was there with Jodi Shelton ’87, who was in Haiti with a nonprofit called buildOn that helps communities in impoverished countries build schools.

The photograph was taken in a crowded farmers market where Thompson spotted the farmer.

“It was one of those magical moments,” he said. “It was kind of like he was giving you a big hug. That’s what I found in Haiti—these big smiles. Here were these people who had been hit so hard but still, they had this enduring spirit and optimism.”

 

 
Dec
1
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Stephens' A Dickens Victorian Christmas offers different experience each year

Sure, people come to “A Dickens Victorian Christmas” for the music, dance and frivolity, not to mention the old-fashioned figgy pudding and wassail.

But what keeps friends and families coming back each year to this Stephens College holiday favorite is the experience: No two shows are the same. 

That’s because the audience becomes a guest at this authentic re-creation of a 19th century English Christmas party hosted by none other than Mr. and Mrs. Charles Dickens in the Historic Senior Hall Parlors on the Stephens campus. While audience members take a seat in one of the parlors, cast members make the rounds, visiting their guests and singing carols.

Victorian Christmas Poster

Sometimes they stay on script and sometimes they don’t, making the party a one-of-a-kind experience.

This year, the event begins at 7:30 p.m., Dec. 4-7. (Get ticket info.) The show features local favorite Ed Hanson as Mr. Dickens, the Stephens College Concert Choir and six students from The Children’s School at Stephens College.

“I think at the end of the year, people need something to look forward to, and Christmas is often that event,” said Assistant Professor of Music Trent Rash, who serves as the stage director for the show. “ ‘A Dickens Victorian Christmas’ is a sneak peek at what we all hope Christmas will be for each of us—a time to share the carols, food and stories of what the holiday is all about.”

Rant said the script is modified each year to keep the show fresh. 

“We’re also very excited to have Ed Hanson in the show this year,” he said. 

Hanson, who has acted and has sung in shows across the United States, is the artistic director of Talking Horse Productions in the North Village Arts District in downtown Columbia.

Hannah Elliott ’18, a Musical Theatre major from New Salisbury, Ind., who plays Mrs. Dickens, is looking forward to interacting with the audience.

“Mr. and Mrs. Dickens mingle with the crowd before and after the show, which is all improvisation,” she said. “I have to be ready for anything and still remember to be in the mindset of a Victorian woman.” 

Elliott said comedy ensues as the prim and proper Mrs. Dickens faces the arduous task of corralling her sociable husband as he continues to unintentionally throw off her perfectly planned party.

“It’s going to be fun,” she said. “I can’t wait for the show to begin.”

 

A Dickens Victorian Christmas
Performances are 7:30 p.m., Sunday-Wednesday, Dec. 4-7, 2016, in the Historic Senior Hall Parlors, 100 Waugh St. Contact the Box Office at (573) 876-7199 or [email protected] for more details. 

 
Nov
29
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Broadway veteran Lee Heinz to direct Sweet Charity in musical’s 50th year

There are few places where Lee Heinz Heinz feels more at home than New York City.

Before joining the Stephens College faculty last year as an assistant professor of Musical Theatre, Heinz spent more than 20 years acting in Broadway and off-Broadway shows.

So when she was asked to direct the beloved musical “Sweet Charity,” which marks its 50th anniversary this year, Heinz was thrilled. The show tells the story of Charity Hope Valentine, a dance hall hostess with a heart of gold who sings, dances, cries and laughs her way though life in the Big Apple.

“Sweet Charity” runs Dec. 2-4, 9-10 at the Macklanburg Playhouse on the Stephens College campus. Get ticket info.

Sweet Charity poster

Though happily settled in Columbia, Heinz still maintains a home in New York City as well as in Chautauqua, N.Y., where she first fell in love with performing.

“When I was 6, I decided I wanted to be either an actor or a simultaneous interpreter at the United Nations, she said.

However, by 9, Heinz had narrowed her choices to an actor or a ballerina. 

“I opted for actor because ballerinas don’t get kissed on stage,” she said. 

Heinz, who is a fifth-generation Chautauquan, is originally from Warren, Ohio. She was only a few months old when she began traveling with her family each summer to Chautauqua where her grandmother and great aunt owned rooming houses.

It didn’t take long for young Heinz to become enamored with the summer arts colony there, especially with the actors.

“I was very shy and didn’t like to talk as myself,” she recalled. “But when I could be someone else on stage, I was very comfortable.”

Heinz was 8 when she started her professional acting career on the Kenley Circuit, performing with such stars as Jo Anne Worley, Paul Lynde, Brenda Lee and Juliet Prowse, among others. She attended Vassar College where she majored in theater, romance languages and math. She later received an M.F.A. from George Washington University and an M.A. from Wayne State University.

Heinz landed the role as Tiger Lily in “Peter Pan” when she was still a student at Vassar. Over the years, she performed on Broadway and in national and international tours of “Dancin’,” “Once Upon a Mattress,” “West Side Story,” “Cabaret” and “A Chorus Line.” Regionally, some of her favorite roles have been Annie in “Annie Get Your Gun,” Drood in “The Mystery of Edwin Drood,” Hermia in “Dead Man’s Cell Phone,” Charlotta in “The Cherry Orchard,” Ruth in “Blithe Spirit,” and Puck in “A Midsummer Night’s Dream.”

She has worked with Bob Fosse, Michael Bennett, Jerome Robbins and Ron Field, among others. 

Heinz has also been a frequent guest artist with the Chautauqua Opera, has worked in film, and was a regular on the soap operas “Guiding Light” and “One Life to Live.”

“Once you start working on soap operas, you begin to realize how good the acting is,” she said. “When you are there and see the time restraints the actors are under and the work they produce, you have a new respect for the actors who are on soap operas regularly.”

Heinz has directed at the New York Musical Theatre Festival and at the Triad Theatre, and choreographed and directed a number of off-Broadway, regional and international shows. She also served as the assistant director for the original production of “Zombie Prom” at the Variety Arts Theatre. 

Before joining Stephens, Heinz worked for Dancing Classrooms, a not-for-profit project of the American Ballroom Theater Company in New York City. She taught ballroom dancing to fourth- and fifth-graders in the Bronx. The school was a three-hour subway ride from her home. 

“It was fun but a lot of work,” Heinz said.

Though she’s always enjoyed teaching, Heinz said Stephens is her first official foray into academia. Some of the classes she’s taught include Shakespeare, vocal production, musical theatre history and acting.

“I have found the students and faculty at Stephens to be very talented and welcoming,” she said. “I am happy to be a part of the Stephens community.”

 

Sweet Charity [Musical, PG-13]
Performances are 7:30 p.m., Friday and Saturday, Dec. 2-3, 9-10 and 2 p.m., Sunday, Dec. 4, in the Macklanburg Playhouse, 100 Willis Ave. Contact the Box Office at (573) 876-7199 or [email protected] for more details. In addition, Stephens will host “The Works of Cy Coleman - A Musical Celebration,” at 7:30 p.m. on Thursday, Dec. 8. The free event celebrating the music work of Cy Coleman will feature musical performances by the Stephens College Macklanburg Playhouse Theatre Company.

 
Nov
21
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Heart, attitude and spirit drive flamenco says guest artist in world dance

As a dance student at Stephens College, Cerena Chaney knows how to use her body to express emotion. This semester, she’s learning the importance of using something else: her heart. 

Chaney ’18 and other dance majors are learning how to flamenco from visiting guest artist Peter Suarez, who danced eights years with the Metropolitan Opera and performed flamenco with the Gipsy Kings at Radio City Music Hall. 

Like most of her classmates, Chaney doesn’t expect to become a flamenco dancer, but the experience has opened her eyes and challenged her to see dance in a whole new way. 

“Flamenco dancing is very emotionally driven and intense,” said Chaney, remembering what Suarez taught students on their first day of class. “ ‘Flamenco dancing isn’t about this,’ he said, pointing to his feet; it’s about this’ ” she recalled, “and he pointed to his heart. 

“Flamenco dancing comes from within,” Chaney said. “It’s an attitude and a spirit.”

Suarez, who has served as style coach and adjunct choreographer for Cirque du Soleil and Olympic athletes, is teaching flamenco dance during the second session of the fall semester as part of the world dance curriculum at Stephens College. Students dance with Suarez for 90 minutes three times a week and will perform what they learn in March during the spring dance concert.

“The world dance program is important for our students because it offers them an opportunity to gain technical skills that both complement and add to the curriculum that they receive in their dance techniques and choreography,” said Elizabeth Hartwell, coordinator of dance at Stephens College. “It also contributes to their own cultural enrichment.”

Suarez, 58, who says he received his first paycheck as an entertainer at age 6, has performed and/or choreographed for Ballet de Puerto Rico, Ballet Espanol, Louisville Ballet, Cincinnati Ballet, Ballet Arkansas, Lexington Ballet, La Compania Folklorica Latina, Albhorada Dance Theater and Somos Flamencos, among others.

In 2013, he performed in “Zoro, the Musical” in Atlanta with Tony Award winning director Christopher Renshaw, and a year later, was in the cast of “In You Arms,” directed and choreographed by Tony Award winner Christopher Gattelli.

Hartwell met Suarez when they both danced with the Lexington Ballet.  Today, Suarez lives on a sailboat in Gulfport, Florida, when he’s not traveling and teaching at places like Stephens.

“Peter brings a wealth of knowledge gained from his professional experiences,” Hartwell said. “He is not moved by pure technicians, the dancer must bring their own sensibilities to the dance. The emphasis on self discovery and portrayal of character will help our students stay passionate about what they do and prepares them well for gaining employment in the dance profession.”

Suarez is teaching the students an Alegrias, which is a musical form of flamenco that has a rhythm consisting of 12 beats. When complete, the dance will last about five minutes.

As Suarez and the students practiced, he kept a steady count, shouting out numbers in Spanish. His feet blurred as he moved across the dance floor, making dramatic stomps like cracks of lightning. Now and then, Suarez would stop, his body still while emotions built. Then, like another crack of lighting, his feet would explode in fierce stomping.

Suarez was in his 20s, performing an off-Broadway show, when he was approached about learning flamenco. The highly expressive, Spanish dance from was almost second-nature to him.

“My body felt like it remember it,” he recalled.

Suarez said flamenco dancing, with is percussive footwork and intricate hand, arm and body movements is challenging to learn but the Stephens students had caught on quickly.

 “They are actually doing some very hard steps,” he said. “They are so quick picking up the rhythms.”

 Jada Kyle ’18, whose ultimate goal is to dance on Broadway, said learning flamenco has been one of her best dance experiences at Stephens.

“One thing that’s difficult for me is not tap dancing because the footwork is similar,” she said. “I’m glad I had this opportunity to learn flamenco and will add it to the list of styles of dance that I have learned.”

UPCOMING PERFORMANCE:

“Myself … and how I pretend to live us”

A one-man show written and performed by Peter Suarez in which he plays five fictitious men who differ in age, ethnicity and race.

7:30 p.m. Saturday, Nov. 26, 2016

Talking Horse Theatre

210 St. James Street

Tickets are $15 general; $12 seniors/students

 

 

 
Nov
15
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Stephens announces $1 million gift to establish Jeannene Booher Fashion Lecture Series

 

Stephens College announced today a $1 million gift from Jeannene Booher, a 1956 graduate of the fashion program, to establish The Jeannene Booher Fashion Lecture Series to benefit the School of Design. The series will finance visits by industry leaders to campus to share their experience with students who are preparing for or interested in a career in fashion and design.

“One of the things I am most interested in is making sure our students have contacts in the fashion industry,” Booher said in her remarks.

As a student at Stephens, Booher met several fashion icons whom later changed the trajectory of her career. She hopes her gift will do the same for other fashion students.  

Booher’s contribution is the second $1 million gift Stephens has received this academic year. The first came from Phyllis Henigson, a 1954 Stephens College graduate, to support the College’s new Physician Assistant Studies program.

Dr. Dianne Lynch, Stephens College president, said the lecture series would continue to elevate an already prestigious fashion program.

“As Stephens claims its place among the premier fashion programs in the world,” she said, “it is this kind of professional access and creative inspiration that will distinguish it, raise its international profile and ensure that it is building upon the reputation of the program that educated and motivated Jeannene Booher.”

Finally, Lynch said Booher’s generosity is a reflection of the Stephens woman.

“The woman I am honoring today—and a woman who is so generously honoring Stephens—embodies our community’s longstanding tradition of talent, ambition, determination and commitment to being the best, the very best, at all she does,” she said.

 

More About Jeannene Booher 

Jeannene Booher knows firsthand achieving success in the fashion industry requires more than raw talent. Up-and-comers need advice, encouragement and connections.

That’s why Booher, a 1956 graduate of Stephens College who has worked with some of the best designers in the country, has donated $1 million to establish The Jeannene Booher Fashion Lecture Series to benefit the School of Design.

“I had a wonderful experience at Stephens,” said Booher, who has served in the past as a Stephens College Trustee and member of the Executive Committee. “I am very happy to be able to do this.”

After graduating from Stephens, Booher went on to study at the Parsons School of Design in New York City and worked with a number of design greats, including Pauline Trigère, Adele Simpson and Arnold Scaasi. She became a partner and designer for the Maggy London dress company for 10 years. Eventually, she started Jeannene Booher Ltd., where she created her own line of dresses and two-piece outfits that were sold at Neiman Marcus, Barneys, Saks Fifth Avenue and Nordstrom.

Dr. Monica McMurry, dean of the School of Design, said it is support from alumnae such as Booher that continues to elevate the caliber of the fashion program, which is ranked among the best in the world. 

“The establishment of this lecture series will be added recognition and prestige of an already impressive program,” she said.

McMurry said Booher is one of the most successful designers to come out of the Stephens fashion program. She not only created stunning clothing but owned companies at a time when women in the fashion world rarely wielded such power.

“Jeannene Booher is a talented and ambitious woman,” McMurry said.

The first guest lecturer sponsored by the new series is an old friend of Booher’s, Marylou Luther, editor of the International Fashion Syndicate and writer of the award-winning Clothesline column, a question-and-answer fashion advice feature that is read weekly by more than 5 million people. Her coverage of the European collections appears in newspapers throughout the U.S.

Luther will present “Straight from the Runways” at 7 p.m. this evening in the Kimball Ballroom of Lela Raney Wood Hall on the Stephens College campus.

Booher says industry leaders such as Luther can change the trajectory of a student’s career when they make a campus visit. That’s what happened to her when New York fashion icons Mary Brooks Picken and Madam Eta Hentz spoke to her fashion class at Stephens.

Picken authored 96 books on needlework, sewing and textile arts, including “A Dictionary of Costume and Fashion.” Hentz, a designer from the 1920s, ’30s and ’40s, is best known for her Grecian-themed collection of 1943.

“They both took an interest in me and gave me their numbers,” Booher said.

Later, when Booher was a student at Parsons, she reached out to Picken, who took the young designer under her wing and introduced her to influential people in New York. She once took Booher to a cocktail party at the home of Edward R. Morrow. 

Hentz would later put Booher in touch with Trigère, an unconventional designer who did not sketch her designs but rather cut and draped from bolts of fabric. Many famous women, including Beverly Sills, Evelyn Lauder, Lena Horne, Angela Lansbury, Bette Davis and Wallis Simpson, wore her fashions.

Booher remembers her first visit with Trigère. The designer glanced at Booher’s sketches and tossed them aside.

“Then she asked me, ‘Where did you get that coat you are wearing?’” Booher recalled. “I said, ‘I made it.’”

Impressed with her work, Trigère hired her on the spot.

Today, Booher is retired from fashion and enjoys traveling and painting at her home in the Berkshires.

 
Nov
15
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Fashion editor speaks with students in advance of tonight's public lecture

Marylou Luther told students at Stephens College today that she didn’t start her journalism career as a fashion reporter, far from it.

After graduating from the University of Nebraska-Lincoln, Luther worked at the Lincoln Journal “where I wrote engagement and wedding stories and moved my editor’s car every hours so she wouldn’t get a ticket.” From there, she landed at the Des Moines Register and was assigned the style beat. 

“I told them, ‘I don’t know anything about fashion,” Luther said.

“You’ll learn,” her editor said.

Today, Luther is editor of the International Fashion Syndicate and writes the award-winning Clotheslines column, a question-and-answer fashion advice feature that reaches 5 million readers each week. Her coverage of the European collections appears in newspapers throughout the U.S.

Luther is the inaugural speaker of the Jeannene Booher Lecture Series, presenting “Straight from the Runways” at 7 p.m. tonight in the Kimball Ballroom of Lela Raney Wood Hall on the Stephens College campus. 

The lecture, hosted by the Stephens College of Design, is free and open to the public.

Luther visited with students today in several small groups—design students working on their sportswear portfolios, communication students interested in media writing and production, as well as students involved with Stephens Life magazine.

Dr. Monica McMurry, dean of the School of Design, said it was an honor to have Luther on campus.

“She has followed the fashion industry as fashion editor of the Los Angeles Times, Chicago Tribune and Des Moines Register, and brings to her lecture a rich understanding of the history of fashion as it bridges the late 20th to early 21st centuries,” she said. “Her twice-yearly audio-visual overviews of the New York, London, Milan and Paris ready-to-wear shows are must-reads—and now she’ll be bringing those to our campus as part of her presentation. We couldn’t be more excited.”

Luther, who also is the creative director of The Fashion Group International, a nonprofit organization for the dissemination of information on fashion, beauty and related fields, will provide the NYFW Spring Summer 17/18 collections with visuals and a Q&A session.

The Jeannene Booher Lecture Series was launched earlier today with a $1 million gift from Booher, a 1956 alumna of the Stephens College fashion program and old friend of Luther’s. The series will bring industry leaders such as Luther to campus to share their insights and experience with students who are preparing for or are interested in a career in fashion and design.

“As a participant in CFDA Educational Initiatives, Stephens’ reputation of excellence has recently been recognized by The Business of Fashion,” Sara Kozlowski, director of Education and Professional Development for the Council of Fashion Designers of America, said. “A flexible curriculum and strong alumni community contribute to its unique culture. Marylou’s voice is celebrated globally, and her visit will inspire students, especially those with aspirations to develop professional pathways within fashion journalism and communications.”

 

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Oct
31
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Stephens Life wins first place Pinnacle College Media Award

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Stephens Life, a student-run magazine, has done it again, taking first place at the College Media Awards.

The “I Like Fashion and Naps” spread from the Spring 2016 issue, won Best Magazine Entertainment Page/Spread in the design category. The “Disruption: A Year of Fractured Fashion,” the cover story from the same issue, received an honorable mention in the Best Magazine News Page/Spread in the design category.

This is the second time in two weeks that the newly redesigned magazine has received national recognition. The Associated College Press honored Stephens Life for its “Superfoods” story from the same issue. The story was nominated in the Yearbook/Magazine Page/Spread category and received fifth place for Design of the Year.

Current Stephens Life staff members Kalynn Coy ’17, who served as creative director of both design projects, and Madisson Alexander ’18, worked on the winning design spread. Former staff members who also contributed to the design of the “I Like Fashion and Naps” pages include Brianna Knopf ’18, Lluvia Garcia ’16 and Oletha Hope Crutcher ’16.

“With the recent rebrand of this decades-old Stephens College publication, it is proof that our students are true innovators who continue to pave the way for creative leaders from all over the country,” said Amy Parris, faculty adviser for the magazine.

The College Media Association (CMA) Pinnacle College Media Awards are a national contest to recognize excellence in student-produced college media.

“We are proud to have Stephens Life recognized for the tremendous effort of our students,” said Dr. Monica McMurry, dean of the School of Design. “These awards are further validation of the School of Design, which values the process of design thinking to create market-driven products. We create design leadership through out 'first job in college' practicums, external critique processes, and faculty versed in their professions as both teachers and industry/business leaders.”  

View the Spring 2016 Stephens Life issue.  

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