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Not on
my watch
By
Erica Parker
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HOME |
"Not on my watch,"
said
the nightman to the clerk.
"I
would never allow something like that to happen."
Not
on my watch,
meaning:
I am doing
what I can.
I wish
I could do more.
If
I were an angel,
the
way I think angels might be,
I
would cradle the head of people as they die,
lean
them into my frame like a chair,
learn
to speak every language so that I can whisper
Paul
McCartney's words of wisdom into their ear: "Let it be."
If
I were an angel, I would want to understand the forgiveness
that
waits in fear.
I
would visit the living.
I
would go to the Rasta crowded in his Florida jail cell,
touch
his temples,
slowly circle them,
aid
his visions of dread-talk responsibility. Every word
manifests
its own kind of destiny.
I
would go to the pale man, in his pinstripe suit:
prison
bars he does not see,
hold
his hand, show him the Rasta's vision.
It
asks him if one man really knows how to judge another.
Does
he
remember
the cocoa man with dreadlocks he put away years
ago?
I
would drift into the eye of an infant as it absorbs color for
the
first
time,
carry
the information into the hand of a painter.
Sit
for long periods on the mountains of a father's fingers
as
they race across his grand piano.
Learn
from an African mother how to
carry
water on my head for long distances,
sing
her songs--the ones that keep one foot in front of the other.
Lick
the tears off the cheek of an eight-year-old American boy
as
he is told not to cry, lick them up so when he is a grandfather
I
can mail him a letter about his life.
Stroke
a damp cloth gently across the President's cheek
as
he thrashes, twisting sweaty covers,
skin
worn raw by the expensive sheets he bought for their
soft touch.
He
has nightmares, his heart bangs, ba-bang, bangs, refuses to
dream
about
the Iraqi mother praying, covering in cloth.
His
heart, ba-BOOM, ba-BANG, BANG, thuds out her name for
god,
her
word for home. Ba-boom, ba-bang, bang: oil pump pounding.
Sit
in the cancer ward with the grandmother who knits,
beside
the bald cowboy who talks peaches with the nurse.
"I
had a good peach from Alabama once, but I'm telling you..."
He
likes to tell stories about his orchard in Georgia.
Toss
flour at the woman baking in Mexico.
She
is wise enough to know that an angel teases her.
She
makes the best tortillas of all her sisters,
which
is why she is the cook tonight.
Her
stained apron protects the flashing colors of her celebration
dress.
Tonight they are marking a new child's conception. I toss
flour
so
that she will brush at her skin, shake laughter into the recipe.
Run
alongside the man in red shorts in his moment of
endurance. He
focuses
on the sound of shoes against track, staggered
breath. Fire
inside
pushes him into the plastic tape, sweating, raising his
arms up to
the
sky. "YES... YES... YEESSSSSS!"
Lie
naked with new lovers, crosscrossed, playing tic-tac-toe
with every
body
part.
Spread
my body upon the hot sand to give a Ghanian boy a
break from
blistered
feet. In exchange, he will teach me how to be grateful
for
one meal
every other
day.
He
will teach me how to talk to seashells,
and
what it means to live a shoeless life.
Dance
in the moonlight with sisters waltzing across a wooden
dock,
laughing,
tripping over plastic chairs, kicking off high heels.
One
shoe plops into the lake and the
twirling
of women's shadows paint the ripples.
Spin
on the ceiling fan in a corporate office as an associate
presents
his new location numbers: extra earnings for the boss,
who
smiles, pats him on the back. He rushes
home,
new necklace for the wife.
I
am with him in his breast pocket, reaching around, embracing
him,
transporting
to him images of local workers,
jobless
now that the company is moving.
I
show him the swollen eyes
of
the young man who will work in the new sweatshop,
trying
to feed a village
with
a dollar a day.
I
will continue my embrace as he watches his wife hang
her
necklace among the dozens she cannot choose from.
Crawl
into the dirt under the fingernails of the farmer.
Dive
with the scientist as she swims
into
the underwater cave, looking for the space
where
saltwater meets freshwater. She studies the kind of life
that
can survive constant change.
Go
to the woman in India,
crying
bitterly because her baby has been born a girl.
Then
I will understand what it means to be a woman
squatting
naked over dirt floor, knuckles clenched in fists of blood,
dripping
womb signs a dowry to a husband and
no
bread for an old woman's table.
Bait
the line for a Colorado fisherman standing along the river
bank,
his
breath caught by the sunrise.
Kiss
a mother goodbye with the lips of a boy strapped in
explosives,
a
suicide bomber who knows unending hunger,
decades
of lost brothers, a dying hope for cultural salvation.
A
desperate action that expresses all he has been taught of
courage.
I
would take his hand. I would go with him.
Kiss
a mother goodbye with the lips of a boy dressed in uniform,
U.S.
Army. A soldier who knows a country that tries for freedom,
a
homeland that makes promises.
Will
he be prepared to confront the desperate poverty of his
enemies?
He
leaves a mother. A desperate action
that
expresses all he has been taught of honor.
I
would take his hand. I would go with him.
Rest
inside a Native sweat lodge.
Listen
to prayers of earth, water, fire turned to steam,
every
element present in the center of this elders' ring
of
bowed heads.
I
would stir the coffee of the night watchman, sitting in the
New
York Tower lobby, the man who
wears
the faded brass-buttoned uniform and remembers the
names
of
everyone in his building, all those who come and go
on
their way to me.
If
I were an angel, I would understand forgiveness.
I
would sit on the other side of fear with
the
knowledge of oneness folded
into
a soft blue weave draped across my shoulder: padding
for
the head of the next member of my family.
--September
11, 2003