Memories
and Premonitions
by
Tom Dillingham
Every spring for more than fifty years, Stephens students have
published a literary magazine to showcase the talents of the poets and fiction
writers on campus. Since 1980,
that magazine has been called Harbinger.
Harbinger is a magazine title with a purpose-it reminds us that while
the written word records our meaningful past, it also offers insights into the
future-in the case of the "Stephens College Magazine of Literature and
the Arts," the 'future' will be the contributions of our students to the
poetry, fiction, and creative nonfiction of the coming years, a future
presaged in their present efforts. As
a college with a long history of fostering the arts, Stephens gives her
students opportunities to perform as actors and dancers, to draw and paint and
sculpt, and to express themselves in poetry and narrative. The stage and studio foster the former arts and allow them exposure to
their audiences: for students whose medium is words, the literary magazine in
its several incarnations has enhanced communication with their audience.
During the 1960s, Stephens' literary magazine was called Portfolio (a
near-synonym of the word 'magazine,' reflecting its role as a compendium of
varied writings). Most issues
were slim volumes, with a few graphics-photographs or line drawings. In 1975, the title was changed to Narcissus, and that delicate,
self-regarding (or preferably, self-examining) figure continued to inspire
submissions until 1980, when Harbinger-a more outward and forward-looking
title-began publication.
During the '70s, the magazine expanded both in number of pages and in
its experiments with a variety of formats, still including examples of graphic
art. At that time, the faculty
advisor was Eleanor Bender, who was also owner-editor-publisher of the
nationally known poetry magazine, Open Places. Many alumnae will remember the lively, sometimes contentious,
experiences of discussing the merits of submissions for Open Places, with the
special excitement of handling manuscripts sent by poets as famous as Marge
Piercy, Margaret Atwood, Marilyn Hacker, and Denise Levertov.
Students involved in the magazine publication course until 1987 had the
opportunity to learn the processes and responsibilities of publishing a
literary magazine both at the professional level and as interns working to
produce their own publication-soliciting and evaluating manuscripts, planning
the layout and printing styles, marketing and selling the final publication.
Each issue was likely to have a distinctive design, longer, shorter,
wider or more colorful than the preceding issue. It is still a fascinating experience to look through the back issues as
they reveal the creative design concepts of each editorial team. The recent issues continue this tradition: the issue dedicated to the
memory of Gordon Manor-with its photographs of the building before and after
the devastating fire-was a powerful example of the students' ability to
capture the meaning of the past and the character of the present with a glance
toward the possibilities of the future, in their publication.
Since Eleanor Bender left the College in 1986 and discontinued
publication of Open Places, student editors have continued to benefit from the
advice of creative writing faculty members with experience in publishing their
own works and editing publications. Among
these faculty were two alumnae, Leslie Adrienne Miller '78 (who has published
three prize-winning volumes of poetry) and Brenda De Martini-Squires '80, as
well as other members of the Department of English/Creative Writing program. More recently, advisers have included the poets Kris Somerville and
Terry Song.
The magazine continues to be a dynamic and constantly evolving
publication, reflecting the changing character of the editorial staff and of
the students of Stephens College as a whole.
